![]() Ten more would comprise “Another One Gained,” a memoir of growth and reawakening by way of heart-wrenching transition and change. At the end of 2021, the band released the four-track “Battles” EP, offering listeners a darker, more simmering edge to their impelling indie-rock sound. Not only had they begun honing in on compositions that harnessed their individual strengths as players, they were introducing new possibilities to their sonic palette.įrom their work with Ratterman emerged a batch of 15 songs. That journey from their hometown of Kansas City to LA was a freeing experience for Guillen and Williams. The following April, they took the demos to producer/engineer Kevin Ratterman (My Morning Jacket, Heartless Bastards, Ray LaMontagne) at Invisible Creature Studio in Los Angeles. In their basement rehearsal space, they spent the year learning home recording and pre-production techniques, gradually crafting a collection of songs from the ground up. Katy Guillen & The Drive dropped their first EP, “Dream Girl,” right before the 2020 lockdown, leaving them without opportunities to perform live. While distinguishing themselves as a new group with a fresh sound, the two continued crafting their musical and personal identities together. With their burgeoning career put on hold, Guillen and long-time drummer Stephanie Williams set off for uncharted territory as Katy Guillen & The Drive. Katy Guillen & The Girls reached an extensive audience through performances at Montreal International Jazz Festival and the International Blues Challenge, a tour of Sweden via Kultur i Vast, and support for artists including The Revivalists, Robin Trower and The Doobie Brothers. Other family activities down at Crown Center include Sea Life, Legoland Discovery Center, and Kaleidoscope.Through the course of writing, refining and recording their debut full-length album, “Another One Gained,” Katy Guillen & The Drive delved into the catharsis of a bittersweet moment in time.Īfter six years of persistent touring, performing and writing with her previous project, Katy Guillen & The Girls, singer, songwriter and guitarist Guillen found herself at the painful end of two long-term relationships. No food or drink is allowed in the theatre but after the show you can grab Topsy’s Popcorn, Sheridan’s Custard, or a meal at Fritz’s, Unforked, or Spin Pizza. You’ll scan that validation as you exit the garage. Park in the Crown Center garage and make sure to grab a parking validation slip when you check in at the show. The Coterie Theatre is located on level one of the Crown Center shops. there will be sensory friendly performances for neurodiverse audiences featuring technical adjustments, sensory supports, house lights on and flexible audience expectations. ![]() Thursday, May 11, at noon and Friday, May 12, at 7 p.m. Pricing is $14 for youth under 18, full-time students, and seniors over 60 and $18 for adults. But when the Bus Driver has a crisis that threatens to make his passengers late (gasp!), maybe the wily Pigeon CAN do something… he might even save the day. Poor Pigeon: he never gets to anything he wants. Using catchy, jazz and Broadway-inspired melodies to bring the story to life on stage, Willems adapts his simple – yet endearingly fanciful – story of The Pigeon into a fun and charming musical that will get everyone’s wings flapping. 1 New York Times best-selling, Caldecott Honor “Pigeon” picture book series. Hitting The Coterie stage just in time to celebrate the 20th anniversary of the book’s first publication, Don’t Let the Pigeon Drive the Bus! The Musical! features an innovative mix of actors, puppets, songs, and feathers - plus a script written by Mo Willems, the creator of the No. Don’t Let the Pigeon Drive the Bus! Synopsis The show runs through May 21 so don’t wait to get tickets for your family.
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